This article examines the problem of the artistic concept of personality, one of the central issues in modern literary studies, within the framework of Russian and Uzbek literary theory. The study focuses on the poetry of Halima Khudoyberdiyeva, a prominent representative of contemporary Uzbek literature, analyzing the poetic interpretation of historicism, national identity, and the image of femininity. The research demonstrates that the poet reconstructs historical figures such as Tomyris, Nodira, Mohlaroyim, and Najmiddin Kubro not merely as historical personalities, but as symbolic embodiments of national consciousness, patriotism, and spiritual revival. In this context, the interaction between historical memory and individual spirituality is interpreted as a key aesthetic category within the poet’s creative worldview. The article further explores how historical reality is not directly depicted but rather artistically reinterpreted through a system of symbolic and metaphorical language. This approach reveals the philosophical and aesthetic dimensions of historicism in Khudoyberdiye va’s poetry. Special attention is also given to the elevation of female images to the level of historical heroism, which contributes to the artistic construction of national identity. From a theoretical perspective, the study is significant in that it analyzes the dialectical unity of the individual, history, and society through an interdisciplinary lens, treating the concept of personality not only as a literary phenomenon but also as a profound philosophical-aesthetic category. In conclusion, the article argues that Khudoyberdiyeva’s poetry represents an original artistic model formed through the synthesis of historicism and modern poetic thinking, offering a new interpretation of the relationship between national identity and artistic expression in Uzbek literature.